After creating my own audio patch cable experiment proved unreliable, I ordered some normal, boring looking 1′ (0.3m) black with red and white tipped RCA cables. But I still wanted the cables to have a distinctive look to them. So I decided to paint them. Supplying your own cables, it’ll cost you less than $10 to do it yourself too…
Spray paint. I highly recommend Krylon “Fusion For Plastic” (what I simply call Krylon Fusion). You don’t need Continue reading How To Paint Your Own Audio Patch Cables
I got myself an RCA patch bay for cheap ($20) and needed some short RCA patch cables. I saw they were crazy expensive online so I figured I’d make them myself. The end result isn’t up to my expectations. Here’s how you can do it and why you should probably avoid it…
I bought some RCA terminals, the kind that you screw in wires. I wanted to try using heat shrink to go over the terminals that would melt down to the size of the wire, but I didn’t find any locally that were big enough so I got a size big enough just for Continue reading Don’t Create Your Own Audio Patch Cables?
There’s an issue that people who’ve started making music the past 10 years or so think an audio spectrum / waveform = what you hear. The sad fact is that it doesn’t.
One thing I’ve found that seemed to be a key to “professional” audio mixing / mastering people is that they had some kind of experience with real, studio mixers. They didn’t have access to spectrum windows, they mastered by tweaking dynamics knobs and using their ears. They didn’t have Continue reading Don’t Use EQ Spectrum Analyzers, Use Your Ears
I’ve created a method to reuse mixer console (artist) tape for cheap ($6 or so) and anyone can do it. It involves using three things; console / artist tape, printer paper and Elmer’s “Tac ‘N Stik” (or a competing brand, white preferably). I also have a system for managing the strips, focused on music producing. This method is much more preferable as, when switching between songs, you can stack the scribble strips without having to worry about them getting stuck together, ruined, losing their adhesiveness or simply making your area look tacky with scribble strips stuck everywhere.
Cut paper into strips
We’re going to use the paper as an inner-material for the strips. A paper’s 8.5″ width is nearly perfect for Continue reading How To Reuse / Reapply Mixer Console (Artist) Tape Scribble Strips
I’ve created a way to fully control the entire Reason virtual SSL mixer and (most challenging), select and change mixer channels directly from only one BCR2000. I searched for months and found no one’s accomplished this. I’m sharing this specific method, along with a custom hardware profile (known as remotemap’s), and custom overlay graphics. I’ve also included some tweaks to the BCF2000 that add functionality.
Before creating this method, it wasn’t possible to control the individual channel settings of Propellerhead Reason’s virtual SSL mixer with a BCR2000. Before understanding how to do this, it’s important to understand why so many Continue reading Reason: Using A BCR2000 To Fully Control The SSL Mixer’s EQ Channel Strip
One thing putting together a physical mixer console has taught me is how capable Reason’s original virtual rack-mounted 14 stereo channel (28 mono channel) mixer, known as the reMIX Virtual Tec MX 28-4-14, was / is. The reMIX has since been replaced by the virtual SSL 9000k mixing console and it, of course, blows the reMIX out of the water in terms of functionality.
But one thing it taught was the power of using what you have wisely. The reason is because you were limited to 14 channels (even if you were using a mono source, such as a subtractor, you still wanted to apply FXs, EQ or panning from the reMIX, which made you use up an entire channel strip). Of course, you could chain multiple reMIXes together without Continue reading Reason: I Have A Lot Of Respect For The 14:2 Mixer (reMIX)