There’s an issue that people who’ve started making music the past 10 years or so think an audio spectrum / waveform = what you hear. The sad fact is that it doesn’t.
One thing I’ve found that seemed to be a key to “professional” audio mixing / mastering people is that they had some kind of experience with real, studio mixers. They didn’t have access to spectrum windows, they mastered by tweaking dynamics knobs and using their ears. They didn’t have Continue reading Don’t Use EQ Spectrum Analyzers, Use Your Ears
Here’s how to stream Propellerhead Reason audio directly to an iPhone, Android, iPad or other tablet (even Airplay devices) from PC or Mac. This method is detailed for Reason, but from what I know about other DAW’s, the process is also possible in Ableton Live, Bitwig Studio, FL Studio, Cakewalk Sonar, Logic Pro, Steinberg Cubase, Pro Tools and Cockos Reaper.
Why stream audio from Reason to a mobile device?
Simple; during the mixing / mastering stage (which you should be doing throughout the creation process), you want to hear what your music will sound like on a variety of devices. Particularly on devices that are brutal to Continue reading Reason: How To Stream PC & Mac Audio To iPhone & Android
The issue; you want to bring existing audio (reference audio, such as an existing song) into Reason for comparison. The Flower Audio’s Loudness Meter device (shown in the photos) can be used for referencing, but it’s used to switch from the audio in your setup versus your reference audio; you can’t compare the two side-by-side.
The issue with trying to do normal referencing is that the sound source will appear under your mastering suite, getting extra mastering effects placed on top. Simply turning the fader levels of your reference channel down doesn’t do the trick as you’ll get lower levels that are still being colored (altered) by your mastering suite setup. Some people may Continue reading Reason: How To Wire Reference Audio To Bypass Mastering
During the auditioning phase of audio mastering, listening from different sources is important. But so is listening from a distance and at low volumes.
Listening from a distance allows you to hear the dynamics of your song in different ways. It also allows you to hear how the most powerful dynamics interact in non-ideal circumstances. You may find your highs are Continue reading How To Master Audio By Listening From A Distance