There’s an issue that people who’ve started making music the past 10 years or so think an audio spectrum / waveform = what you hear. The sad fact is that it doesn’t.
One thing I’ve found that seemed to be a key to “professional” audio mixing / mastering people is that they had some kind of experience with real, studio mixers. They didn’t have access to spectrum windows, they mastered by tweaking dynamics knobs and using their ears. They didn’t have Continue reading Don’t Use EQ Spectrum Analyzers, Use Your Ears
Here’s how to stream Propellerhead Reason audio directly to an iPhone, Android, iPad or other tablet (even Airplay devices) from PC or Mac. This method is detailed for Reason, but from what I know about other DAW’s, the process is also possible in Ableton Live, Bitwig Studio, FL Studio, Cakewalk Sonar, Logic Pro, Steinberg Cubase, Pro Tools and Cockos Reaper.
Why stream audio from Reason to a mobile device?
Simple; during the mixing / mastering stage (which you should be doing throughout the creation process), you want to hear what your music will sound like on a variety of devices. Particularly on devices that are brutal to Continue reading Reason: How To Stream PC & Mac Audio To iPhone & Android
There’s a few unspoken rules that have developed on how to name remixes. Let’s start with Nice and Soft and Smooth as an example.
I feel it’s important to give remixes interesting, catchy names when you’re doing the remixing yourself. Normally, remixing takes on the name of the person doing it. So if this song was remixed by Daft Punk, it’d be called “Mixer Jaëxx – Nice and Soft and Smooth (Daft Punk Remix)“. You don’t need, or want, to name the remix individually since the title’s already long enough with the remixer taking credits.
Now, if Daft Punk did Continue reading The Unoffical Rules Regarding Remix Naming