A while ago, I had bought two Behringer BCF2000 mixers with the intention of using them as a 16 channel mixer. I found they wouldn’t “cascade” like they do in other DAW’s, contacted both Behringer and Propellerhead and they both said it couldn’t be done. I even looked into it, saw even the remote map file didn’t support it and wrote a blog post titled “Using Multiple BCF2000’s Can’t Be Done”. Miguel Catalão then left a comment on how it could be done and recorded a video just for this post.
This isn’t an easy method and I can’t personally vouch for it as I no longer have multiple BCF2000’s. The secret apparently lies in Continue reading Reason: How To Use Multiple BCF2000’s
One thing I’ve never understood is the tendency for people who produce music to own all these music accessories, such as multiple MIDI keyboards, but not own a single mixer (control surface). It’s understandable if someone has limited hardware and doesn’t have a mixer, but that’s not the case for so many people.
Throwin’ money in all the wrong directions
Like take a look at this random person’s studio setup. They’ve clearly thrown money at all these music toys; they have three keyboards that appear to be very expensive. Just one of those keyboards probably costs three times as much as my one keyboard. And let’s not ignore the Continue reading Producers Who Own Multiple Keyboards But No Mixer?
I’ve created a custom Propellerhead Reason remote map for Mackie Control (Mackie Universal Control) mixers, such as ones used by my Behringer X-Touch or the Mackie MCU Pro. The remote map, called MJ Enhanced Universal Control, fixes problems like buttons being mapped in wrong areas, reduces clip LED’s getting triggered, functions missing entirely (like the EQ Q knobs) while adding enhancements and new features, like comp and gate LED meters, time displayed by default and global solo and mute off functions. This enables you to control the entire virtual SSL mixer and channel strip settings (including channel selection!) without extra prep work (like the BCR2000 method required). An optional Lua codec also enhances the channel VU meters. This article serves also as a guide / general commentary and I’m sharing it free…
The MJ Enhanced Mackie Universal Control setup took a very long time for me to do. This mapping file and article are written based on my experience with Continue reading Reason: Custom Behringer X-Touch Remote Map Layout
I’ve never liked VST’s. Never. There’s just something about them that I find so distracting from the whole music process. And what’s crazy is that I’m one of the only people who feel this way.
There’s a lot of different reasons why VST’s just feel wrong to me, wrong like someone walking outside in the dirt with bare socks and no shoe on. Wrong because…
Pop-up windows kill the immersion
Nearly all music software started out emulating physical Continue reading Am I The Only One Who Hates VST’s?
In this post, I detail the physical hardware I use for my desktop studio setup. Rack, mixer, music devices, audio interfaces, audio analyzers, monitors, speakers, power supplies and desktop configuration.
The rack is custom-built from two red IKEA tables. I stacked them and keep them in place with two “L” brackets. I then installed rack rails, cutting the metal rack rails with Continue reading Studio Hardware Walkthrough
Update: check out the new post Reason: How To Use Multiple BCF2000’s.
If anyone’s curious on setting up multiple Behringer BCF2000’s together in Propellerhead Reason (to go from 8 channel banks to 16 channel banks, etc)… from what I can tell it can’t be done and no one has provided real evidence of this. Because…
BCF2000’s are controlled by Reason uniquely
I couldn’t get Reason working with two Behringer BF2000’s, setting everything up as it’s intended (both via direct USB and MIDI cascading). When you look at the BCF2000 remote file, you see references for 8 faders groups at a time and no more. Reason loads in a temporary, on-the-fly preset for BCF2000 and BCR2000’s that other DAW’s don’t. This is where Continue reading Reason: Using Multiple BCF2000’s Can’t Be Done (Update)
There’s an issue that people who’ve started making music the past 10 years or so think an audio spectrum / waveform = what you hear. The sad fact is that it doesn’t.
One thing I’ve found that seemed to be a key to “professional” audio mixing / mastering people is that they had some kind of experience with real, studio mixers. They didn’t have access to spectrum windows, they mastered by tweaking dynamics knobs and using their ears. They didn’t have Continue reading Don’t Use EQ Spectrum Analyzers, Use Your Ears
I’ve created a method to reuse mixer console (artist) tape for cheap ($6 or so) and anyone can do it. It involves using three things; console / artist tape, printer paper and Elmer’s “Tac ‘N Stik” (or a competing brand, white preferably). I also have a system for managing the strips, focused on music producing. This method is much more preferable as, when switching between songs, you can stack the scribble strips without having to worry about them getting stuck together, ruined, losing their adhesiveness or simply making your area look tacky with scribble strips stuck everywhere.
Cut paper into strips
We’re going to use the paper as an inner-material for the strips. A paper’s 8.5″ width is nearly perfect for Continue reading How To Reuse / Reapply Mixer Console (Artist) Tape Scribble Strips