A while ago, I had bought two Behringer BCF2000 mixers with the intention of using them as a 16 channel mixer. I found they wouldn’t “cascade” like they do in other DAW’s, contacted both Behringer and Propellerhead and they both said it couldn’t be done. I even looked into it, saw even the remote map file didn’t support it and wrote a blog post titled “Using Multiple BCF2000’s Can’t Be Done”. Miguel Catalão then left a comment on how it could be done and recorded a video just for this post.
This isn’t an easy method and I can’t personally vouch for it as I no longer have multiple BCF2000’s. The secret apparently lies in Continue reading Reason: How To Use Multiple BCF2000’s
I’ve created a custom Propellerhead Reason remote map for Mackie Control (Mackie Universal Control) mixers, such as ones used by my Behringer X-Touch or the Mackie MCU Pro. The remote map, called MJ Enhanced Universal Control, fixes problems like buttons being mapped in wrong areas, reduces clip LED’s getting triggered, functions missing entirely (like the EQ Q knobs) while adding enhancements and new features, like comp and gate LED meters, time displayed by default and global solo and mute off functions. This enables you to control the entire virtual SSL mixer and channel strip settings (including channel selection!) without extra prep work (like the BCR2000 method required). An optional Lua codec also enhances the channel VU meters. This article serves also as a guide / general commentary and I’m sharing it free…
The MJ Enhanced Mackie Universal Control setup took a very long time for me to do. This mapping file and article are written based on my experience with Continue reading Reason: Custom Behringer X-Touch Remote Map Layout
I’ve never liked VST’s. Never. There’s just something about them that I find so distracting from the whole music process. And what’s crazy is that I’m one of the only people who feel this way.
There’s a lot of different reasons why VST’s just feel wrong to me, wrong like someone walking outside in the dirt with bare socks and no shoe on. Wrong because…
Pop-up windows kill the immersion
Nearly all music software started out emulating physical Continue reading Am I The Only One Who Hates VST’s?
Update: check out the new post Reason: How To Use Multiple BCF2000’s.
If anyone’s curious on setting up multiple Behringer BCF2000’s together in Propellerhead Reason (to go from 8 channel banks to 16 channel banks, etc)… from what I can tell it can’t be done and no one has provided real evidence of this. Because…
BCF2000’s are controlled by Reason uniquely
I couldn’t get Reason working with two Behringer BF2000’s, setting everything up as it’s intended (both via direct USB and MIDI cascading). When you look at the BCF2000 remote file, you see references for 8 faders groups at a time and no more. Reason loads in a temporary, on-the-fly preset for BCF2000 and BCR2000’s that other DAW’s don’t. This is where Continue reading Reason: Using Multiple BCF2000’s Can’t Be Done (Update)
There’s an issue that people who’ve started making music the past 10 years or so think an audio spectrum / waveform = what you hear. The sad fact is that it doesn’t.
One thing I’ve found that seemed to be a key to “professional” audio mixing / mastering people is that they had some kind of experience with real, studio mixers. They didn’t have access to spectrum windows, they mastered by tweaking dynamics knobs and using their ears. They didn’t have Continue reading Don’t Use EQ Spectrum Analyzers, Use Your Ears
One thing putting together a physical mixer console has taught me is how capable Reason’s original virtual rack-mounted 14 stereo channel (28 mono channel) mixer, known as the reMIX Virtual Tec MX 28-4-14, was / is. The reMIX has since been replaced by the virtual SSL 9000k mixing console and it, of course, blows the reMIX out of the water in terms of functionality.
But one thing it taught was the power of using what you have wisely. The reason is because you were limited to 14 channels (even if you were using a mono source, such as a subtractor, you still wanted to apply FXs, EQ or panning from the reMIX, which made you use up an entire channel strip). Of course, you could chain multiple reMIXes together without Continue reading Reason: I Have A Lot Of Respect For The 14:2 Mixer (reMIX)