[Updated: 04/29/2020] Registering copyrights for music is a very complicated process with (now) 31 steps minimum. Guides on how to register copyrights do a bad job. Here, I’m detailing a step-by-step process, including screen shots, of myself actually registering the copyrights for the album Bradenton Ambient so you can see how the real process works and not just internet article writer theory…
Why even the top guides are bad
Ask Google how to copyright music and, even at the moment of writing this article, Google lists it as a simple 7 step process (it’s over a
Continue reading How To Copyright Music (Step-By-Step With Pictures)
33 31 step process minimum) and even lists the price incorrectly as $35 when it’s really $55 $65.
Most people have come under the impression that, if they aren’t making profits off of a song, using uncleared samples is fine. It’s not.
Myth #1: “I’m Not Selling My Songs So I’m Safe”
This couldn’t be further from the truth. This myth, combined with misinformation about what a Creative Commons license is (more on that below) is one of the most propagated myths out there in the music industry.
This myth tries to rely on money; if there’s no money made from illegal sampling, then there’s no money to go after. But that’s not actually how real life works. A rights holder can base a claim around damages, not just sales of their protected work. If you think lawyers won’t go after people who don’t have much money, or doesn’t have many assets, or is under the age of 18 or even someone who lives in another country, think again. If the music industry is willing to sue 12 year old girls for downloading music, what do you think they’ll do to you? Don’t think money they’re asking for could be that much? If they tried to sue Jammie Thomas-Rasset $220,000 for downloading only 24 songs, picture the price tag they can dream up for “illegal sampling”.
Continue reading Even Not Selling Songs, Uncleared Sampling Is Still Illegal
I’ve learned that a lot of electronica music creators (genres like downtempo, drum & bass, techno, etc) are “plastic people” compared to acoustic music creators (such as acoustic guitar signers). When you look at engagement on places like SoundCloud, it becomes obvious.
Take two songs; one is a chillout song, the other is an acoustic guitar vocal song. Both will have the same “professional” production value and creativity. They mostly submit their songs to general genre groups and they both interact and leave comments for tracks with the same style. Both songs have 1,000 plays, 3 months old. Both artists have 1,500 followers.
Continue reading Why Electronica SoundCloud Creators Aren’t Genuine